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Update – 11:46pm, March 20:

This evening Michelle Shocked released a statement denying any intention to spout homophobia, saying that her remarks were misunderstood, that she was describing the opinions of other people, and that her statement about tweeting “Michelle Shocked hates…” was a prediction of how she would be misinterpreted.  She says that she supports the LGBT community and marriage equality.  Included in her statement: 

“I am damn sorry. If I could repeat the evening, I would make a clearer distinction between a set of beliefs I abhor, and my human sympathy for the folks who hold them. I say this not because I want to look better. I have no wish to hide my faults, and  – clearly – I couldn’t if I tried.”

I am glad to take her word for what she meant to say.

The same evening, audio from the concert has been released.  (The relevant part begins at 4:40.)  To be honest, it’s really hard to say what she was trying to get at.  Members of the audience seem confused as well.  In my letter I tried to be very careful to speak from a place of concern, rather than judgment.  Hearing the audio, I remain concerned.

Here is the full text of her statement.

And here is my original post of the open letter responding to the initial news reports on Sunday:

Dear Michelle,

We haven’t met.  Or rather, we have, twenty years ago, but it was rather fleetingly backstage at the Philadelphia Folk Festival and you wouldn’t remember.  That was the year that you sang “Kumbaya” and reminded the audience that “Kumbaya my Lord” meant “Come by Here, my Lord.”  You were right, by the way – that song was always meant to be an invocation to the Divine.  I interpret that word differently than you do, but you were definitely right about the origin of the song.  Maybe I’ll write about that some other time.

You’ve made some news recently, and for no good reason.  Your comments at a recent concert that you fear the world would be destroyed if gays were allowed to marry, and that your fans could all go tweet “Michelle Shocked says God hates f–s”) – well, they lived up to your chosen name.  It’s not even so much the views you decided to express, as the venue, and the manner of your doing it that has left so many of us outraged, speechless, and also worried for you.

I mean it.  Because a rant like that, in the place you chose, speaks of profound spiritual pain.  It is one thing to believe that homosexuality is wrong; many do.  I disagree, but it remains a widely held belief, especially among adherents to more conservative religious movements.  These are your views, and you have every right to express them.  But to phrase them as hate speech – and it was you who brought up the word “hate” – at a concert in San Francisco, of all places, speaks of deep inner turmoil.

Your words are not those of a woman comfortable in her own skin.  They do not speak of the strength of your faith, or of your idealism, or of your values.  They seem spoken more to reassure yourself and the world that you are not, in fact, the bisexual woman you once believed yourself to be, or the lesbian so many of your fans believe you to be.  They seem an attempt to claim an identity and hold on to it, when so much both within and around you threatens to pull it apart.

I don’t know if this is really what is going on.  Maybe you just don’t like people making assumptions about you as a person or an artist.  I get that – I’m a Unitarian Universalist minister as well as a folk musician, and I’m always afraid that people will stay away from my concerts because they think I’m going to preach at them (more than folksingers usually do) or that I won’t be able to get away with singing one of the saltier old ballads, because some folks can’t separate the music from the musician.  I’d like to just be me, and sing the music I love.

You’ve got it far worse; I understand this.  And you don’t want anybody else – not a record company, not a manager, not your fans – to tell you who to be.  And maybe you’ve got some things you believe in that you want to say.  That’s fine.  But before you say them, please let me suggest that you spend some time in prayer.

Yes, I said prayer.  One of the most powerful teachings of your church is that ordinary human beings can commune with the divine – and you need that.  You need to step away from the whirlwind of public and private identities, of fear and anger and self-doubt.  You need to let go of all of that for a while.  If you’re going to speak the truth of your soul, you need to be grounded.  So pray, and read the Bible that you place your faith in.  You won’t find hatred there, but you will find a Jesus who spent a great deal of time with people who were and are considered “sinners,” and who nevertheless respected them as human beings and as his friends.  Pray – not for absolute answers, but to still yourself and open yourself to the God of your belief.

You hurt a great many people with your comments, not least yourself.  But maybe this experience can move you forward.  Maybe it will help you find the right people to talk to about your spiritual crises.  Maybe it will help you ask for help in your emotional life.   You said yourself that “truth is leading to painful confrontation.”  Maybe the truth is your own spiritual crisis, and the confrontation is with yourself.

I don’t know, but I do know this much.  The only way to respond to hatred is with love and compassion.  And Michelle, though I don’t know you, and I detest everything you said at that concert – you have my love and compassion.  I offer you that much.

After all, isn’t that what Jesus would have done?

Love,
Dan

PS:  I still love Short Sharp Shocked, and always will, no matter what you say about anybody.  That album is brilliant from beginning to end.  Would that any of us could reach such heights of artistic genius.

Note:  Please remember the guidelines for comments in this blog.  As my friend at Sermons in Stones puts it, “Disagreement is welcome; disagreeableness is not.”  Comments that are not civil, or that express hatred for any person or group of people – including religious groups as well as the LGBT community – will be blocked.

I Still Have a Dream

Each year on Rev. Dr. Martin Luther King, Kr. Day, we hear part of a great speech – perhaps one of the greatest speeches ever given – “I Have  Dream.”  Sometimes I get frustrated that Dr. King’s legacy gets reduced to one speech (and only the last few minutes of that one), when his work was much more far reaching and complex, and when so much of the work he gave his life to remains unfinished.  Those issues aside, it is a remarkable speech, made all the more so by the fact that it very nearly never got made.

To begin with, the Great March on Washington of 1963 almost didn’t happen.  Nobody had ever tried a demonstration on anything close to that scale, and most people thought it couldn’t be done.  The only way the march could work is if all six leading civil rights groups joined together, and they agreed on very little.  Several leaders viewed the march’s organizer, Bayard Rustin, with deep suspicion, because he had been a conscientious objector, a socialist, and was known to be gay.  Dr. Martin Luther King and others insisted that only Bayard Rustin could do this job, so it was agreed that while Rustin would do all the work, others would take on the official titles of leadership.  Leaders of the younger, more activist Student Nonviolent Coordinating Committee worried that the March would be no more than a way of blowing off steam for the African American community, unless it involved some kind of civil disobedience.  The NAACP insisted they would not participate if any civil disobedience were involved.  The groups argued with one another about the texts and the tone of the speeches and several threatened to pull support.  While President Kennedy publicly praised the March and its goals, privately he worried that so many African Americans coming to Washington to protest would lead to rioting, and he asked the leaders to cancel the event.  When they refused, Washington DC declared a “state of emergency,” closing all of the liquor stores, mobilizing every police officer on the force, and deputizing thousands more, in preparation for the descent of one hundred thousand African American protestors on the city.

More than double that number gathered at the foot of the Washington Monument the morning of August 28, while Dr. King, Whitney Young and other leaders met with members of Congress.  At 11:30, somebody in the crowd started singing a freedom song.  Soon others joined in and all of a sudden the people were moving, out onto Constitution and Independence Avenues, walking hand in hand toward the Lincoln Memorial.  Bayard Rustin, looking down from the steps of the Capitol, shouted, “My God, they’re going!  We’re supposed to be leading them!”  So it was that Martin Luther King, Jr., John Lewis, A. Phillip Randolph and all the rest of them ran after the people, eventually stepping into the middle of the march and stopping it so that reporters could take the iconic pictures.

The afternoon was a long series of carefully negotiated speeches.  Mahalia Jackson, the great gospel musician, sang “I’ve Been Buked and I’ve Been Scorned.”  And then Dr. King stood up to speak.  He must have been exhausted, but he read well from his carefully prepared text.  When he reached the end, he paused, and Mahalia Jackson, remembering the words she had heard Dr. King speak at so many churches and rallies across the south, shouted from her seat, “Tell ‘em about the dream, Martin!”

Dr. King looked up from his text, written as it was in the context of all the contentiousness that had gone into this march, and he looked out at the people, so eager for freedom they had not waited for his leadership to move, and he said, “Even though we face the difficulties of today and tomorrow, I still have a dream.”

The video below includes the entire speech.  It’s worth hearing.

Haiti Cherie

Three years ago a powerful earthquake in Haiti devastated an already suffering nation.  The world sent aid, but not nearly enough, and Haiti has largely receded from the consciousness of the world.

Shortly after the earthquake, I helped to plan and lead an interfaith service at the BuxMont Unitarian Universalist Fellowship, in Warrington, Pennsylvania, where I serve as minister.  Hindus, Christians, Jews, Unitarian Universalists and others gathered, raised awareness, prayed together, and most importantly raised funds to help Doctors Without Borders in their Haitian relief work.

We also sang together.  Haiti Cherie is one Haiti’s best known and best loved songs, and tells a different side of the story from the one we usually hear – this is not the Haiti of grinding poverty, oppression and violence, but of beauty, courage and community.  This is the Haiti of an African people who overthrew their European slaveholders a full sixty years before the American Civil War.  This is the Haiti of joyfulness and music.

It’s an easy trap to fall into – we imagine that the lives of people living in a place like Haiti are entirely defined by suffering – and somehow that lessens the impact of the current calamity.  But real people’s lives are seldom like that, and it’s important to remember that we, who would give our help, do so because we are privileged and we are able, but not because we are better or because our lives and nations are somehow set above others.  The Haitian people recognizes the ills their country has faced, and the far worse problems brought by the earthquake, but they are also proud of their country, and with good reason.  We would do well to learn from them.

I learned Haiti Cherie for the service, doing the best I could with the Creole, using an English translation from a  recording by Harry Belafonte, and adding a fourth verse (“you are never lost to sorrow”) written in the wake of the earthquake’s destruction.  When we came back to the first verse, I lined it out for the people gathered, and four congregations sang it well and loudly.

This recording was done rather hastily that week – I had a bit of a cold, so I won’t pretend it’s the best recording I ever made, but it may be one of the most heartfelt.  The link should take you to the song.  Enjoy it, and if you can spare a little, donate again to earthquake relief.

Dan Schatz sings Haiti Cherie

(NOTE:  Pleased ignore any video ads below – they have nothing to do with the post or this blog.  The link above will take you to the song.)

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(annoying ad below)

Yesterday I shared a blog post about the anniversary of the shooting in Tucson. It was pointed out to me later that I had made a rather embarrassing typo in the title (“Tucson” in in Arizona; “Tuscon” is Italian), so I’ve reposted with a new permalink. The issue remains a serious one, with over 2,000 American children EVERY year murdered by gun violence. And Tom Paxton’s song, linked to in the post, is powerful and deeply moving.

Dan Schatz's avatarThe Song and the Sigh

Today is the second anniversary of the mass shooting in Tucson, Arizona, in which six people lost their lives and Congresswoman Gabrielle Giffords was shot in the head.  In the intervening years we have seen similar shootings at an Oakland, California college, a Sikh temple in Wisconsin, a movie theater in Aurora, Colorado, and, most horrifically, a Newtown, Connecticut elementary school.  Sadly, the actual list is far too long for me to recount – the Brady Campaign to Prevent Gun Violence lists over 70 mass shootings since Tucson, and that only tells a small part of the story.  Every day in the United States, gunfire kills 87 people – 8 of them children, 5 of those murder.  That’s over 100 Newtowns every year, and most of us don’t even notice it.

After the Newtown shooting last month several gun control opponents cited a mass stabbing in  China, correctly pointing…

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Today is the second anniversary of the mass shooting in Tucson, Arizona, in which six people lost their lives and Congresswoman Gabrielle Giffords was shot in the head.  In the intervening years we have seen similar shootings at an Oakland, California college, a Sikh temple in Wisconsin, a movie theater in Aurora, Colorado, and, most horrifically, a Newtown, Connecticut elementary school.  Sadly, the actual list is far too long for me to recount – the Brady Campaign to Prevent Gun Violence lists over 70 mass shootings since Tucson, and that only tells a small part of the story.  Every day in the United States, gunfire kills 87 people – 8 of them children, 5 of those murder.  That’s over 100 Newtowns every year, and most of us don’t even notice it.

After the Newtown shooting last month several gun control opponents cited a mass stabbing in  China, correctly pointing out that no amount of gun control could not prevent violence or keep someone whose heart is bent on mayhem from committing it.  In doing so, they made the case for gun control far more effectively than I could have, because of the 22 children stabbed in that assault, not one died.

Guns do not cause violence, it is true – but they make it far more deadly and dangerous.  Suicides attempted with guns do not allow for second thoughts.  Violence committed with guns – especially with automatic and semi-automatic weapons – kills.  Too often it kills the innocent.  I understand the desire for freedom, for protection, for recreation.  I understand that the overwhelming majority of gun owners are decent, law abiding people.  But 2000 dead children every year is too high a price to pay.

It is also true that gun bans will not by themselves immediately fix the problem.  Our laws have been so lax, for so long, that the guns are readily available for those who would obtain them illegally.  Buy back programs help, but it will take a long time to solve the problem we have created for ourselves.  In the meantime, licensing can help, waiting periods and background checks can help, keeping the most dangerous guns limited to sporting facilities can help, and education can help.

Tom Paxton often writes what he calls “short shelf life songs” – songs in response to world events that he doesn’t expect to be relevant once the news cycle has shifted.  Two years ago he wrote “What If, No Matter” in response to the shooting in Tucson.  Sadly, the song remains all too relevant.

Remembering a Friend

About five years ago I was sitting around with a group of good friends, all of whom were first rate musicians, talking about another musician, Utah Phillips. At the time Utah was ill, and folksingers around the country were putting benefits together to help pay his expenses. I’ve always like that about the folk music community – it may be a tough way to make a living, but it’s a real community, and we take care of each other.

I floated the idea that maybe we could put together a CD of some of us singing Utah’s old songs, and within about 30 minutes we had our first seven tracks spoken for. Over the next year, I spent much of my spare time working with dear friends Kendall and Jacqui Morse, engineering wizard Charlie Pilzer, and the good folks at Ani Difranco’s Righteous Babe Records to put together a two CD set honoring the life and music of Utah Phillips – Singing Through the Hard Times.

Utah never lived to see the final product, but he knew it was happening and was grateful. His death that May left us all in tears, but it was a comfort that he left the world knowing his music would continue, and grow, even after he was gone.

One of the good friends at that gathering was Will Brown – one of the best and most unassuming musicians and human beings I know. Will prefers to work with other folks when he sings, so he asked Cindy Kallet and Grey Larsen to join him in the most beautiful and haunting version of Utah’s “Going Away” I have ever heard.

Last week I discovered Will’s recording had been made into a video, and with Will’s permission, I share it with you. It’s a beautiful piece of work, simple and elegant – just like the song and just like Will’s arrangement of it.

You may want a hankie for this one. It’s a thing of beauty.

A Christmas Poem

I love Christmas.  I love the carols, the greenery, the candles, the meals with family and friends, the silliness, the gift-giving – all of it.  But perhaps what I love the best is the way we talk about Christmas in my church – that the birth of a child is always a time for celebration, and every child brings hope to the world in their own very unique way.  Over the years I’ve told the age old story in countless ways – through songs, stories, and more.

Most years I write a poem for Christmas, and I’d like to share my personal favorite – written ten years ago for the candlelight Christmas service at the BuxMont Unitarian Universalist Fellowship.  Enjoy, and Merry Christmas to all!

A Christmas Poem

It happened years ago,
down between the folds of the hills,
beneath the light of so many stars and one.
When the first cries of the newborn
pierced the midnight air,
it was a new song of life.
And those who came to see the princeling
wrapped in soft sheets of his mother’s love
discovered each one a soul made new
by the light of an infant child.
Though centuries push forward,
the story is the same,
ever the same.
A child born,
a mother’s love,
a new wonder under the stars.
It is the gift of ages,
small and regal,
looking up into us
with hopeful expectation.

– Rev. Dan Schatz
Christmas 2002

God of many names and no name,
Hashem, Allah, Adonai, El, Mother,
Brahman, Sacred Mystery,

In this season of darkness we cry out for the light of hope.

We are in deep mourning.
Over the past two days we have struggled to understand
what brokenness of mind could allow a human soul
to walk into a school and murder twenty children and six teachers.
There are no words for our despair;
we are devastated;
we are angry;
we are afraid.

O God of many names,
help us to find the strength to endure our grief,
and help our nation find the right way forward
as we face what we do not wish to acknowledge
about ourselves and our culture.

May we turn from violence,
seeking the way of light and of peace,
not only among the nations,
but also among people,
and in our inner cities,
and in our suburbs,
and in our families,
and in our schools.

In the conversations ahead, may we speak with one another openly
and from the deep place of spirit.

May we find the courage to make our voices heard
when we have something that needs to be said,
and to speak firmly the truth of our hearts.

And in the midst of our mourning may we find hope,
remembering that no act of violence, however terrible, can define us,
or take away the goodness of which humanity is capable.

God of many names and no name,
Let us lift our spirits to the light,
our hearts to the call,
and our bodies to the task
of hope and healing.

So may it be.
Amen.

 

Midwinter Music

We tend to get our Christmas tree early in our our household – this year we set it up on the first day of December.  We do this partly because we love the decoration, and want to make it last as long as possible, but also because of the nature of my work – I need to get myself in the spirit of the season as early as possible.  With our son, we talk about the solstice, the many different holidays celebrated this time of year, and those wonderful words from Sophia Lyon Fahs – that “every night a child is born is a holy night.”

We also listen to Christmas and solstice music – lots of it.  Or at least I do – I spend a lot of time driving alone, so my family gets to avoid being inflicted with wall to wall seasonal joy.

Now, my idea of Christmas music may be a little different from some – I grew up with the music of Nowell Sing We Clear – traditional English midwinter songs and carols, often with deep roots in the old pagan solstice traditions, Mummers plays, and sword dances to fiddle and concertina.  It has given me an intense and lifelong interest in the traditions and folklore of the Midwinter holidays, as well as the wonderful new songs still being written.

There is some fantastic music out there – some old, some new, some celebrating Christmas and some celebrating the season itself.  Here is some of the best.

Nowell Sing We Clear

Nowell Sing We Clear | The Best of Nowell Sing We Clear, 1975-1986

This is where it all began for me.  Nowell Sing We Clear is John Roberts, Tony Barrand, Fred Breuning, and Andy Davis (Steve Woodruff in the earlier years) are now in their 38th year of touring together, and they continue to make fantastic albums of Midwinter songs and carols.  Nothing can beat fun of seeing them live (if you have the chance, GO), but the CDs are a great second best.  There are many, but perhaps the best value is the compilation of songs from the first three albums, The Best of Nowell Sing We Clear, 1975-1986.

Magpie – Last Month of the Year

Last Month of the Year - A Celebration of the Solstice

Many years ago, my good friends Terry Leonino and Greg Artzner of Magpie sent me a home recorded tape they had made as a holiday gift for their friends.  Most of the songs were traditional, but a there were a few new gems as well, including their own powerful “No Room at the Inn” and a Chanukah ballad written by none other than Woody Guthrie, which tells the original story with a level of detail most of us have never heard.  Eventually they re-recorded the album and released it as one of the best seasonal albums I’ve ever heard.

Folk Legacy Records – ‘Twas On a Night Like This

Having grown up with the music of Folk Legacy Records, I admit to some bias in this, but I think Folk Legacy’s Christmas collection is my favroite.  It is simply a gathering of friends making wonderful music, and the warmth shines through on every track.  I’m not sure whether “Kentucky Wassail” or “The Chocolate Burro” is my favorite, or whether it’s something else entirely.  There are so many good songs on this album that you could listen to it again and again without getting bored.

Jean Ritchie – A Kentucky Christmas

Speaking of Kentucky – some of the best American Christmas songs have come to us through the great Kentucky singer, Jean Ritchie.  Jean says that “Brightest and Best” – a traditional carol sung in her family – is her personal favorite song, and she knows thousands.  My favorite is one of Jean’s own, which goes by teh refreshing title of “Wintergrace.”

John McCutcheon – Winter Solstice

Master singer, songwriter, multi-instrumentalist and hammered dulcimer player John McCutcheon has any wonderful albums to his credit, but this time of year I tend to gravitate to Winter Solstice, a quiet and restful alternative to the generally ebullient music of the season.  The most famous song on the album comes from a true story which John wove into a song – the now classic “Christmas In the Trenches.”

Jennifer Cutting’s Ocean Orchestra – Song of Solstice

Jennifer Cutting's Ocean Orchestra | Song of Solstice

The most recent addition to my family’s Christmas collection keeps its roots in tradition, but extends its wings far beyond.  Jennifer Cutting is a folklorist, songwriter, accordion and keyboard player, singer, and talented arranger.  Her Song of Solstice – which celebrates the season with a more pagan orientation – combines Celtic and English folk music with trad-rock and steampunk.  Some of my favorite songs on this collection are Jennifer’s own – especially “Light the Winter’s Dark,” which celebrates the light brought into the world by the leaders of many of the major world religions, and the light we bring to each other’s lives.   This album is alternately meditative and electrifying.

This just a small list of my favorites – but the best kind of Midwinter music is the kind you make for yourself, in families, in groups of friends, and at gatherings.  Enjoy the music of the season!

The End of the World

In 1988, a radio evangelist named Harold Camping predicted that the world would end on September 6, 1994.  He had spent years, he said, making a careful study of biblical numerology, and on this day Jesus would come again.  Because he wasn’t completely sure about the date – after all, his three previous predictions hadn’t come to pass – he titled his book 1994? with a question mark after the year.

Needless to say, not much happened on the appointed day, and outside his regular radio broadcast, little was heard from Camping until last year, when, once again, he predicted the end of the world.  This time he was certain – the apocalypse would come on May 21, 2011.  There would be cataclysmic disasters, earthquakes and volcanic eruptions. Jesus would judge the people, and two hundred million of the faithful would be swept up in the rapture.  Camping’s followers paid for billboards and radio advertisements to announce the prediction, some giving their life savings to the cause.  Soon major media picked up the story, and more money poured into Camping’s ministries – until May 22, which turned out to be pretty much like May 21st, which had been pretty much like May 20.  The ninety year old evangelist said that he was “flabbergasted” nothing had happened, but later admitted to an error in his arithmetic, and the real date would be October 21st.  By that time nobody was listening, and the regular attendance at Camping’s church had dwindled to about two dozen.  Today Camping repudiates the entire practice of making such predictions as “sinful,” and spends his time in quiet Bible study.

Harold Camping is hardly the only one to make such predictions.  Many of the first Christians believed fervently that the apocalypse would come in their lifetimes, and a great deal of early Christian theology was, in essence, an attempt to make sense of the fact that this didn’t happen.  Some predicted that the event would take place one thousand years after Christ’s first appearance, giving us the world “millennial” for movements predicting the world’s end.  A Turkish rabbi claimed that the Messiah would come to save the Jews in 1648, and then he predicted it again for 1666.  And that’s not to mention Nostradamus.

Unitarian Universalists are not immune from such practices.  Michael Servetus, the Unitarian martyr burned at the stake for writing a book On the Errors of the Trinity, once claimed that the Devil’s reign, begun when the Council of Nicea adopted the doctrine of the trinity, would end, and take the world with it, in 1585.

I am reminded of the actor Peter Cook’s prediction of the apocalypse, made on stage with the British comedy troupe Beyond the Fringe in 1961.  “How will it be, this end of which you have spoken?” they asked him.  “Well, it will be, as it were, a mighty rending in the sky,” he said.  The great actor answered question after question from his disciples, naming the exact moment of the conflagration.  At last the group, counting the seconds to the appointed time, chanted together, “Now is the end!  Pale is the world!”  And there was silence.  After awhile one of them said, “It was GMT, right?”  And then, “Never mind, lads.  Same time tomorrow?  We must get a winner one day.”

But of all the many predictions of the end of the world, few dates have captured the public’s imagination as much as December 21st, 2012.  For the K’iche’and other Maya, that date – 13 Baktun in the Mayan calendar – marks the end of the long count, the 5,125 year cycle that began when the world was created.

That simple fact of an ancient calendar has led to books, articles, and even a feature film made by the director of Independence Day, who, as far as I can tell, just likes to blow things up.  The predictions have become so rife that NASA recently published a statement assuring the public that a giant solar flare would not, in fact, be consuming the Earth this month, nor would the Earth collide with a hitherto undiscovered planet called “Nibiru,” or indeed any asteroid or comet, nor would the Earth reverse itself on its axis and begin spinning in the other direction, nor would there be a worldwide blackout due to some sort of “alignment of the universe.”  The Department of Homeland security did, in fact, issue detailed preparedness guidelines for a Zombie Apocalypse, but most scholars believe this to have been a joke.

It is good to have a sense of humor about such things, but it’s also important to realize that media attention given to predictions of doom have real impacts and sometimes hurt real people.  It was bad enough that last year’s doomsday predictions led some to give up their savings, but it was far worse when it started affecting the children.  In May of 2011 more than one parent told me that they had had to reassure their children, who had seen all the billboards and heard all the news stories, and who felt real fear that the world was going to end and that they would die.

I know what that fear is like, although I never had a date certain to hang it on.  I grew up in the suburbs of Washington, DC during the Cold War, and for us the end of the world did not seem a remote and fantastic possibility.  We lived with its reality every day.  We knew that there were hundreds if not thousands of nuclear warheads aimed at us personally, and that whatever might be the case in Iowa or in Mississippi, or in California, Washington DC would definitely be completely obliterated.  Our only comfort was knowing that it would happen so fast we would not have time to feel pain.  We were eight, maybe nine years old.

There is something wrong with the world when children live with such nightmares.  It is bad enough when the terror springs from the horrors of war and geopolitics; it is inexcusable it comes from grandiose publicity seekers who claim to know the mind of God, and from the media which gives them the attention they do not deserve.  The world is full of charlatans, but that doesn’t mean we have to listen to them.

Of the many groups decrying the irresponsibility of doomsday predictions for December 21st, perhaps the most significant is the Maya themselves, some six million of them, who speak of a deeply spiritual time, a time of promise and peril, but not of an apocalypse.

The Popol Vuh, the sacred book of the Maya, tells of a succession of creations, each one but the first building on what had come before.  For the Maya, the ending of 13 Baktun signals a transformation in Mayan consciousness and perhaps in the greater world.  Victor Montejo of the Jakaltek Maya writes of “a pan-Maya movement for cultural revival.”  “The Maya,” he says, “want to receive the new Maya millennium by saying ‘Five thousand years after the counting in our calendar began, our culture is still here and flourishing once more.”

The anthropologist and K’iche’ Maya shaman Duncan Earle takes a more global perspective.  “The end of a baktun,” he says, “is a time for reflection on the last 5,125 years of our creation. What have we accomplished in this time? For us, the answer is the building of civilizations as we know them. How well have we done in civilization?”  Citing the “slow disaster” of global climate change and environmental devastation as the defining issue of the moment, he claims that “the end of a cycle is the end of one creation, but the beginning of the next creation.”  Hope lies in the decisions we make as we move into the new cycle.

Not every ending is annihilation.  An ending is nothing more than a moment in time.

I believe that the world will, in fact, end this December 21st.  The world will also end on December 22d.  The world ended yesterday.  And the world is ending right now.  It is always ending.

This world – this reality as it exists in this moment is over by the time I finish my sentence. Every instant in time is an ending, because no instant will ever be repeated exactly.  The world as it is will never exist again.  Change is the only constant.  This is the reality of the universe.  Buddhists call it “impermanence;” many theologians call it “process;” some have called it “God.”  I call it the truth.  The world as it is right now is ending; has already ended.

But that only tells half of the story, and by far it’s the less interesting half.  The world is ending – over and over again, but we’re still here, because the world is also beginning.  And like the many creations of the Popol Vuh, each moment adds something new and unique, so that the world is not created each time from whole cloth, but is built upon what has come before and transformed by the choices we make in this moment, this world recreated, this breath of life.

The poet Joy Harjo, whose work is rooted in the traditions of the Muscogee Nation, talks of the “changing of the world.”  “Each day,” she writes, “is a reenactment of the creation story.  We emerge from dense unspeakable material, through the shimmering power of dreaming stuff.  This is the first world, and the last.”

Hindus speak of the world as constantly created, destroyed and recreated, picturing the god Shiva in a dance of life, surrounded by flames of destruction, but constantly in motion, the old world giving way for the new.  The Greek philosopher Heraclitus taught that “change alone is unchanging…  you cannot step in the same river twice.”  And for the Snohomish people of the Puget Sound the name of the creator God, Dohkwibuhch, literally means “changer.”

Each moment is a breath of life.  Each moment is the ending of the world as it has been, the beginning of the world as it is, and a seed of the world that is to come.  Each moment is new creation, and the choices that all of us make right now will play a part in that creation .

Duncan Earle cites the end of the Mayan long count as an opportunity for humanity, “a point of decision making to put an end to our current creation” and “to start a new creation that is friendlier to nature.”  In smaller ways, I see such opportunity in every moment – because what we do now really does make a difference.  The decisions each of us make have real impacts in the world, for good or for ill.  Most of the time that impact will be very small, but a lifetime of small choices can shape a good deal of reality.  The choices of all of us put together will shape yet more, as we take part in the creation of the world that is to be.

We know this.  On some level, we have always known that our living makes a difference, and that the choices we make affect the future.  That’s why we care so much about the way we raise our children, and why try to raise them with values that will make a better world not only for them, but for everyone whose lives they will touch.  That’s why we care for the suffering, comfort the grieving, reach out to the lonely, and help the poor.  That’s why we work for justice and for peace.  That’s why we build community.  That’s why we speak out for what we believe in, even when we don’t think the world is listening.

What we do is important, and while very few amongst us can live every second with perfect awareness and intention, we can remind ourselves what our values are, and we can try to live those values to the best of our ability.  We can remind ourselves to treat the people around us, whoever they are, with the respect and dignity that human beings deserve.  Sometimes that’s as simple as choosing to be polite to a stranger, or even to somebody we don’t like very much, or who has hurt us in the past.  Sometimes it means holding our ground and standing up for principle.  Sometimes it means giving an unexpected gift to somebody who needs it, and never taking credit.  Sometimes it means challenging our prejudices.  Sometimes it means remembering to respect our own worth as well as the worth of others.  Sometimes living our values means caring for the environment, taking public transportation more often, turning lights out when we don’t need them, honoring the Earth.  Sometimes living our values means forgiving ourselves and forgiving others.  And sometimes the best we can do is to make the world more beautiful, lifting voices to song, or pen to paper, or brush to canvass, or bodies to the dance, or hearts to love.

The world is ending.  The world has always ended.  Let it go.  Pay attention to the moment.  There is a new world born before our eyes and beneath our feet and above our heads, every moment of every day and night.  Within each new creation, each moment of time, is hope and possibility and choice.  Give yourself to the world.  Transform it and be transformed.  Love creation, and welcome the dawn.